Jane Austen Book Club – Sense & Sensibility Discussion Qs

What was your favorite moment of the book?

One of my favorite moments of Sense and Sensibility is in chapter 30 when Mrs. Jennings is checking on Marianne after her heartbreak, and offering olives. She says, “Well, poor thing! I won’t disturb her any longer, for she had better have her cry out at once and have done with.” And I just think that is the funniest and truest line ever. Cry it out, Marianne!

The working title of the book was Elinor and Marianne. Why is Sense and Sensibility a better title? In what ways do Elinore and Marianne embody these traits?

I would categorize Elinor and Marriane as dual heroines, and changing the title to S&S broadens the themes of the book. Typically Elinor is seen as the sensible one, and Marianne the sensitive one. But one of the interesting things about this book is how they do a switch, and by the end of the book Elinor is able to touch into her emotions in a way she wasn’t able to before, and Marianne makes much better choices, and shows more sense, which she was lacking at first. So this title change is important because it alludes to the sister’s transformations and dual nature, which I think everyone can relate to. We, all of us, have dual natures, a little bit of sense and a little bit of sensibility!

Margaret is often the overlooked younger sister in this novel–what do you think of her role in this novel?

Margaret Dashwood is mentioned sparsely throughout novel. Her character appears to be minor, existing as a particular supportive element for the her sisters. All her life depends on the events related to the members of her family, and she can not wait to live it by herself and feel all the patience of the independent existence.

What did you think about Willoughby’s apology? Did you feel sympathetic towards him?

I have very unsympathetic feelings toward Willoughby. He seems like a fuckboi and I just don’t like him.

What did you think of Lucy Steele? Did you trust her at first, or were you suspicious of her eagerness to befriend Elinor?

I personally do not trust Lucy Steele. There are moments where she seems to be intentionally petty, and I her keeping secret engagements makes her even less likeable.

Chapter 23 highlights her scheming character traits best, in my opinion. She is seen offering pointed information that Elinor hasn’t explicitly asked for, suggesting that Lucy is purposely choosing what to tell Elinor, and illuminates her pushing Elinor for information in an artful way.

In the end, Lucy gets what she wants—a wealthy husband who allows her to move up the social ladder through marriage. As the narrator says of her at the conclusion of the novel, she is a prime example of what someone can achieve when he or she is persistent, self-interested, and determined.

How do secrets drive Marianne and Elinor’s actions?

Secrets have a lot of power in the novel, both kept secrets and secrets revealed. 

CH 23 — “The necessity of concealing from her mother and Marianne, what had been entrusted in confidence to herself, though it obliged her to unceasing exertion, was no aggravation of Elinor’s distress.”

CH 29 — “Nor I,” answered Marianne with energy, “our situations then are alike. We have neither of us any thing to tell; you, because you do not communicate, and I, because I conceal nothing.”

Which sister seems to change the most over the course of the novel? Who would you say is the heroine of the story, or do they share the role equally? 

Elinor and Marianne’s characters both show great development and growth by the end of the book. Typically Elinor is seen as representing sense and Marianne as representing Sensibility throughout the novel, but as the novel goes on, the heroines are able to learn from each other and that drives their characters’ evolution. By the end, Elinor has learned to be more sensible, and Marianne has learned to be more sensical, and that is one of the greatest journeys: learning that it is okay to be a little bit of both.

If I had to choose, I would say Elinor is the heroine of the story, in the same way that Lizzy is the heroine of P&P. P&P presents a story where the heroines are lifted up from poverty to wealth, marry rich handsome gentlemen, and get to marry for love. S&S presents more of a story about choices–both sisters marry, but Elinor gets her man in the end because she makes more rational choices from point A to B. Marianne loses her first choice because of her desperate actions, poor decision-making, and lack of foresight. She marries a good man in the end, but unlike Elinor, she ends up with her second-choice after incredible suffering and heartbreak. It makes her a stronger character, but it is much less idealized than the HEA of P&P.

How would you compare/contrast P&P to S&S? How are they similar, and how are they different?

Ofc P&P is still my favorite, but it’s always interesting to go through her other works and read them closer. I have to say that I do see a lot of similarities between P&P/S&S—even the titles stand out as the most similar of her stories. However, while Pride and Prejudice leans more towards a fantasy HEA, Sense and Sensibility presents a much more realistic (albeit cynical) take on love.

Jane Austen Book Club – Pride & Prejudice Discussion Qs

Pride and Prejudice is my personal favorite—and, arguably the most favorited of all Jane Austen’s novels—so I thought I would start there. Pride & Prejudice is one of the most loved and widely adapted of Austen’s works. Since it was first published in 1813, Jane Austen’s Pride and Prejudice has sold over 20 million copies, and is now one of the most recognizable names in British literature. Though it was written over 200 years ago, it remains relevant. Not only is it a beautifully written love story with a happy ending, but it contains timeless insights about human nature that reminds readers that first impressions can often be wrong.

Discussion Questions to think about while reading Pride and Prejudice:

What are some themes in the story? How do they relate to the plot and characters?

What was your favorite moment of the book? What is your least favorite?

The working title of the book was First Impressions. Why is Pride and Prejudice a better title? In what ways are Darcy and Elizabeth guilty of both pride and prejudice and how does this drive the action of the story?

Marriage, as something to be aspired to, is portrayed quite differently in the novel than in existing marriages. What married couples do we see in the novel? How would you characterize these relationships?

Two central characters in Jane Austen’s works have her own first name. In Pride and Prejudice, Jane Bennet is described as “everything lovely.” In Emma, Jane Fairfax’s character is described as a “decorous, talented, beautiful woman.” What do you make of that?

Do you find the characters likable? Are the characters people you would want to meet?

Is Elizabeth Bennet consistent in her actions? Is she a fully developed character? How so?

How essential is the setting to the story? Could the story have taken place anywhere else? What makes this novel “timeless”?

My responses:

What are some themes in the story? How do they relate to the plot and characters?

Some of the themes in the book center around the idea of love versus the institution of marriage, the expectations placed on women, social class and status, as well as manners and integrity.

What was your favorite moment of the book? What is your least favorite?

One of my favorite moments of the book is when Lizzy realizes her love for Darcy. “I do, I do like him,” she replied, with tears in her eyes; “I love him.” And then she goes on to say how she was so wrong about him, and I just think it is such a beautiful moment of self-realization and romance.

Another favorite is Caroline’s quote on libraries: How much sooner one tires of any thing than of a book! — When I have a house of my own, I shall be miserable if I have not an excellent library.”

One of my least favorite moments is when Charlotte Lucas marries Mr. Collins. It just doesn’t sit right with me that she took Lizzy’s leftovers. Another low is everything about the slimy f-boy rake Mr. Wickham.

The working title of the book was First Impressions. Why is Pride and Prejudice a better title? In what ways are Darcy and Elizabeth guilty of both pride and prejudice and how does this drive the action of the story?

First Impressions was a great working title because it captures the essence of the story, but I think using the words Pride and Prejudice helps to narrow it down even more. Lizzy and Darcy’s first impressions of each other were wrong because of their pride and their prejudice, and they are given the space to work through their misunderstandings and reevaluate their first impressions. There are many times throughout the book that various characters are very judgy in general, and I think that also plays into pride and prejudices in a way. Also, both Lizzy and Darcy show signs of being prideful and prejudiced at various times throughout the book, though traditionally Darcy is aligned with Pride and Lizzy is meant to be Prejudice.

Marriage, as something to be aspired to, is portrayed quite differently in the novel than in existing marriages. What married couples do we see in the novel? How would you characterize these relationships?

I would categorize most of the married relationships in the novel as unhappy, or lacking in some way. My personal favorite couple is Mr. and Mrs. Bennet, I just think their toxic dynamic so so hilarious. I think this is Austen’s way of poking fun at the institution of marriage. She herself remained unmarried while all or most of her main characters get HEAs. This seems a bit satirical and ironic to me, that a woman who wrote about characters who strive toward the ideal of marriage did not actually practice what she preached. 

It also has always left me wondering about her own relationships. Some scholars have speculated about Jane’s love life, and some theories suggest she was jilted by the love of her life, Tom Lefoy. But there is no concrete evidence and it is just a fan theory that I frequently wonder about.

Two central characters in Jane Austen’s works have her own first name. In Pride and Prejudice, Jane Bennet is described as “everything lovely.” In Emma, Jane Fairfax’s character is described as a “decorous, talented, beautiful woman.” What do you make of that?

I find it hilarious that Jane had a habit of naming her most talented and beautiful characters after herself! 

Do you find the characters likable? Are the characters people you would want to meet?

Some of the characters I find very likeable, and I would still like to meet some of the unlikeable characters just because they bring so much drama to a room!

Is Elizabeth Bennet consistent in her actions? Is she a fully developed character? How so?

I would categorize Elizabeth Bennet as a bit inconsistent, actually. I think she is written with flaws, as are most of the characters, and given room to grow, which is important to her character arc. By the end of the novel she has had time to change her mind on certain things, and the fact that she is a character who can admit her mistakes and learn from them makes her a strong character.

How essential is the setting to the story? Could the story have taken place anywhere else? What makes this novel “timeless”?

Though it was written over 200 years ago, Pride and Prejudice remains relevant today. Not only is it a beautifully written love story with a happy ending, but it contains timeless insights about human nature that reminds readers that first impressions can often be wrong. There have been countless adaptations of this story that continue to borrow the enemy-to-lovers trope, because it is an age-old idea that is universal. 

Human nature hasn’t changed much in 200 years, and we are all just Standing On The Shoulders Of Giants and recycling the same Seven Basic Plots. Reinterpreting their ideas and making them modern isn’t a new idea. Literature has always been intertextual – writers have forever been influenced by other writers. We are all only standing on the shoulders of giants, and the fact that Jane Austen’s books are still discussed, read, reworked and adapted 200 years later just proves the timelessness of her writing.

Pod by Laline Paull

Pod by Laline Paull

Release Date: February 7

Laline Paull returns with an immersive new novel about the ocean world as told through the eyes of two different dolphin pods: spinner dolphins, and bottlenose dolphins.

Ea is more than just a spinner dolphin. Ea is different. In this story, she has an identity. She has an acoustic disability that makes her unable to spin like the other dolphins in her pod, and she is ultimately on a journey of self-understanding and acceptance. As her inner struggles become more complex, she must also grapple with the changing of her world when she is uprooted from everything and everyone she knows. When catastrophe befalls her family and Ea knows she is partly to blame, she decides to make the ultimate sacrifice and leave the pod.

The ocean is a place of peace and calm. Until ocean demons and pollution threaten the oceans’ way of thriving. As Ea ventures into the vast, she finds danger lurking everywhere. The ocean itself seems to be changing; creatures are mutating, demonic noises pierce the depths, and entire species of fish disappear into the sky above.

I would describe it as scientific fiction, but I wouldn’t exactly call it sci-fi… I would call it cli-fi (climate fiction) because, though it is the story of dolphins, it is also the story of the whole ocean, and how the careless and cruel actions of humans put entire ecosystems at risk.

A diverse cast of sea creatures from dolphins and whales to pufferfish create an incredibly unique POV. Writing the main characters as dolphins and other marine animals draws comparisons between animals and humans, suggesting that we’re all the same— we, all of us are living beings.

This is a musical story, full of sound and space. Because dolphins use sonar, sound and music are strong themes in this book. Beautiful imagery and stunning ocean settings make this a perfect blend of reality and fiction. I loved how musical prose is woven so intricately with scientific fact, and I love this author because she has an amazing way of educating readers about the ocean while entertaining them at the same time.

TW: rape, sexual assault, death

Thank you so much to Pegasus Books for sending me an early copy to read and review. I love Laline Paull, and this is a new favorite of mine!

2023: The Year of Jane Austen

I talked about my attempt to finish reading all of Jane Austen’s books a bit in my last post, and how 2023 is going to be my new Year of Jane. This year, I plan to read all of Jane Austens works, including rereading my old favorites, as well as some of her lesser-known and unfinished works. There are roughly enough to fill in a whole year if I pick one book a month. So here is a rough sketch of my yearly plan, though it may shift a bit here is my generalized reading schedule. And if you would like to join along for discussions and group reads, come join the Jane Austen Book Club today!

January: Pride and Prejudice

February: Sense and Sensibility

March: Sandition *season 3 of Sanditon premieres March 19

April: Emma

May: Mansfield Park

June: Love and Friendship

July: Lady Susan

August: Persuasion

September: The Watsons

October: Northanger Abbey and The Mysteries of Udolpho

November: Poems

December: Fanny Burney’s CamillaCecelia and Evelina, or Maria Edgeworth’s Belinda (all of which were some of Jane Austen’s favorite books)

Join my Jane Austen Book Club HERE!

Join my Jane Austen Book Club!

Join my Jane Austen Book Club!

For lovers of Jane Austen and Historical Romance, come join the Jane Austen Book Club today!

It is no secret that I absolutely adore Jane Austen. She is easily my favorite classic author, and Pride and Prejudice is my all-time favorite book. I even planned on finishing reading her entire works last year in what I dubbed “My Year of Jane Austen” … sadly I fell a few books short of my goal.

So, 2023 is my NEW Year of Jane. I plan to read the works I have yet to finish (Mansfield Park and Northanger Abbey, as well as her unfinished works and poems), as well as re-read the ones I already know. Because with each reading I gain something new, and I will never be tired of reading Jane Austen. I would also like to read more fan fiction, and some of the books that were Jane Austen’s favorites in her life. So, If you would like to join me for a Year of Jane, this book club is for you!

This Jane Austen Book Club idea is something I have been playing around with for a long time, and I thought I would just go for it! And what better time than during my Year of Jane? In the club, I hope to suggest Austen-esque book recommendations, plan group reads and discussions, and hopefully connect with other Austenites and Janeites! If this is something you would be interested in, come join the club and suggest our next book!

2022 Reading Wrap Up

Another year, another reading challenge met! I am very proud of myself for meeting my 100 book challenge. 100 books a year sounds like a lot, but its really only 2 books a week. I also count audiobooks, and it’s really easy for me to make that number when counting those. This is such a fun challenge for me and I love keeping track of all the books I read throughout the year. I use both Goodreads and Storygraph to track my stats (GR because it has more reviews, SG because it’s easier to use), and I love that Bookstagram and Booktok help me find so many great reading recs.

Looking back on my stats, I am proud that I kept my formats balanced (for the most part!), but for next year I would like to add an sub-goal addendum to my challenge: I want at least 52 of my reads to be physical books, and 52 to be audiobooks, for a total of 104. Also, I would like to read more e-books in the next year!

𝗗𝗜𝗗 𝗬𝗢𝗨 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗬𝗢𝗨𝗥 𝟮𝟬𝟮𝟮 𝗥𝗘𝗔𝗗𝗜𝗡𝗚 𝗚𝗢𝗔𝗟? Yes! I exceeded my 100 book goal and read 113 books this year, and I am very proud of myself

𝟮𝟬𝟮𝟯 𝗥𝗘𝗔𝗗𝗜𝗡𝗚 𝗚𝗢𝗔𝗟: 104+

𝗪𝗛𝗔𝗧 𝗦𝗘𝗥𝗜𝗘𝗦 𝗗𝗢 𝗬𝗢𝗨 𝗪𝗔𝗡𝗧 𝗧𝗢 𝗥𝗘𝗔𝗗 𝗜𝗡 𝟮𝟬𝟮𝟯? I hope to finish all of Jane Austen’s works in ’23

𝟮𝟬𝟮𝟯 𝗙𝗜𝗩𝗘 𝗦𝗧𝗔𝗥 𝗣𝗥𝗘𝗗𝗜𝗖𝗧𝗜𝗢𝗡: Mortal Follies by Alexis Hall and Silver Nitrate by Silvia Moreno-Garcia

𝗕𝗢𝗢𝗞𝗦 𝗧𝗢 𝗥𝗘𝗥𝗘𝗔𝗗: Pride and Prejdudice, Flower Fables, and Honeycomb

𝗡𝗘𝗪 𝗬𝗘𝗔𝗥𝗦 𝗥𝗘𝗦𝗢𝗟𝗨𝗧𝗜𝗢𝗡𝗦: for at least 52 of the books I read to be physical books and at least 52 audiobooks. Also, I’d like to read more e-books! 

💬QOTD: Have you met your reading goal? Any bookish resolutions going into 2023? 

Thank you to @mommas.library and @honeydukesbooksfor sharing this 2022 book tag!

‘Twas the Night Before Christmas by Clement Clarke Moore (1823) FULL TEXT

A Visit from St. Nicholas, more commonly known as The Night Before Christmas and ‘Twas the Night Before Christmas from its first line, is a poem first published anonymously under the title Account of a Visit from St. Nicholas in 1823 and later attributed to Clement Clarke Moore, who claimed authorship in 1837. The poem has been called “arguably the best-known verses ever written by an American” and is largely responsible for some of the conceptions of Santa Claus from the mid-nineteenth century to today. It has had a massive effect on the history of Christmas gift-giving.

On the night of Christmas Eve, a family is settling down to sleep when the father is disturbed by noises on their lawn. Looking out the window, he sees Santa Claus (Saint Nicholas) in a sleigh pulled by eight reindeer. After landing his sleigh on the roof, Santa enters the house by sliding down the chimney. He carries a sack of toys, and the father watches his visitor deliver presents and fill the stockings hanging by the fireplace, and laughs to himself. They share a conspiratorial moment before Santa bounds up the chimney again. As he flies away, Santa calls out “Happy Christmas to all, and to all a good night.”

‘Twas the Night Before Christmas 

By Clement Clarke Moore

‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;

The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And mamma in her ‘kerchief, and I in my cap,
Had just settled down for a long winter’s nap,

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.

The moon on the breast of the new-fallen snow
Gave the lustre of mid-day to objects below,
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,

With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name;

“Now, DASHER! now, DANCER! now, PRANCER and VIXEN!
On, COMET! on CUPID! on, DONNER and BLITZEN!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”

As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of toys, and St. Nicholas too.

And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my hand, and was turning around,
Down the chimney St. Nicholas came with a bound.

He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a peddler just opening his pack.

His eyes — how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was as white as the snow;

The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;
He had a broad face and a little round belly,
That shook, when he laughed like a bowlful of jelly.

He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head,
Soon gave me to know I had nothing to dread;

He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight,
HAPPY CHRISTMAS TO ALL, AND TO ALL A GOOD-NIGHT!

Copy of the poem hand-written by Clement Clarke Moore

The Gift of the Magi by O. Henry (1905) FULL TEXT

This is my all-time favorite Christmas story, and I wanted to share it all with you all this holiday season.

The Gift of the Magi” is a short story by O. Henry that tells the tale of a young husband and wife who long to give each other meaningful Christmas presents. The couple is constrained by their meager budget, so each gives up something they treasure in order to afford a gift for the other. Illustrations here have been borrowed from Sonja Danowski.

It is a darling little story and if you haven’t read it before this holiday season is the perfect time! Read the story (full text) below, and scroll to the bottom for more info and to discuss with me in the comments!

The Gift of the Magi

by O. Henry

One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.” The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, the letters of “Dillingham” looked blurred, as though they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.

Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a grey cat walking a grey fence in a grey backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn’t go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling—something just a little bit near to being worthy of the honor of being owned by Jim.

There was a pier-glass between the windows of the room. Perhaps you have seen a pier-glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its color within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim’s gold watch that had been his father’s and his grandfather’s. The other was Della’s hair. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty’s jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della’s beautiful hair fell about her, rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

Where she stopped the sign read: “Mme. Sofronie. Hair Goods of All Kinds.” One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”

“Will you buy my hair?” asked Della.

“I buy hair,” said Madame. “Take yer hat off and let’s have a sight at the looks of it.”

Down rippled the brown cascade. “Twenty dollars,” said Madame, lifting the mass with a practised hand.

“Give it to me quick,” said Della.

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim’s present.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim’s. It was like him. Quietness and value—the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task.

Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.

“If Jim doesn’t kill me,” she said to herself, “before he takes a second look at me, he’ll say I look like a Coney Island chorus girl. But what could I do—oh! what could I do with a dollar and eighty-seven cents?”

At 7 o’clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit for saying little silent prayers about the simplest everyday things, and now she whispered: “Please God, make him think I am still pretty.”

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two—and to be burdened with a family! He needed a new overcoat and he was without gloves.

Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Della wriggled off the table and went for him.

“Jim, darling,” she cried, “don’t look at me that way. I had my hair cut off and sold it because I couldn’t have lived through Christmas without giving you a present. It’ll grow out again—you won’t mind, will you? I just had to do it. My hair grows awfully fast. Say ‘Merry Christmas!’ Jim, and let’s be happy. You don’t know what a nice—what a beautiful, nice gift I’ve got for you.”

“You’ve cut off your hair?” asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor.

“Cut it off and sold it,” said Della. “Don’t you like me just as well, anyhow? I’m me without my hair, ain’t I?”

Jim looked about the room curiously.

“You say your hair is gone?” he said, with an air almost of idiocy.

“You needn’t look for it,” said Della. “It’s sold, I tell you—sold and gone, too. It’s Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered,” she went on with sudden serious sweetness, “but nobody could ever count my love for you. Shall I put the chops on, Jim?”

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

“Don’t make any mistake, Dell,” he said, “about me. I don’t think there’s anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you’ll unwrap that package you may see why you had me going a while at first.”

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims—just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: “My hair grows so fast, Jim!”

And them Della leaped up like a little singed cat and cried, “Oh, oh!”

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

“Isn’t it a dandy, Jim? I hunted all over town to find it. You’ll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it.”

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.

“Dell,” said he, “let’s put our Christmas presents away and keep ’em a while. They’re too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on.”

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

The Penguin Book of Christmas Stories

This is a collection of some of the most magical, moving, chilling and surprising Christmas stories from around the world. These short stories take readers on a Christmas journey, from the frozen Nordic woods to the glittering streets of Paris, a New York speakeasy to a quaint English country house, the bustling city of Lagos to midnight mass in Rio, and even deep into outer space. Featuring Santa, ghosts, trolls, unexpected guests, curmudgeons, and miracles, here is Christmas as imagined by some of the greatest short story writers of all time.

Collected works by writers big and small make this an essential companion for any Christmas reader. Classic Christmas storytellers such as Hans Christian Anderson and O. Henry have features in this compendium, as well as some unexpected names like Truman Capote, Shirley Jackson, and Chekhov, in addition to little-known treasures such as Joaquim Maria Machado de Assis, Italo Calvino and Irène Nemerovsky (and more!).

Some of my favorites include:

The Fir Tree by Hans Christian Andersen

The Legend of the Christmas Rose by Selma Lagerlof

A Chaparral Christmas Gift by O. Henry

The Necklace of Pearls by Dorothy L. Sayers

One Christmas Eve by Langston Hughes

The Gift by Ray Bradbury

I was a little disappointed that the O. Henry story included wasn’t The Gift of the Magi, but I did enjoy A Chaparral Christmas Gift (which I hadn’t read before), so actually, it was probably a good thing that I got to read a new O. Henry story instead of one I already knew. 

This book of short classic Christmas stories is the perfect book to cozy up with this holiday. I am in love with this collection and can see that myself and my family will cherish reading these Christmas stories for years to come.

Bright Winter Night BOOK TOUR

Bright Winter Night

Written by Alli Brydon | Illustrated by Ashling Lindsay

The forest calls, and creatures come:

big and small, one by one.

They sense there is a task to do

as night descends, replacing blue.

On one bright winter night, a group of woodland creatures emerges from the forest. Despite their differences, they start to build something together, using items found on the forest floor. What are they making? And how quickly can they build it? Something special is happening tonight, and soon the animals are off—in a race to catch a glimpse of one of nature’s most astounding wonders! With lyrical text and sparkling artwork, Bright Winter Night is a celebration of the joy and beauty of nature and the special gift of friendship and togetherness.

Thank you to @amazonpublishing for sending me a copy of the book and teaming up with me for a great giveaway! Check out how to enter below:

GIVEAWAY

Enter to win a copy of Bright Winter Night 

– follow me and other hosts on Instagram @rosesandreviews, @allibrydon@ashling.lindsay@amazonpublishing, and @storygramkids

– tag a friend you think will be interested

For an EXTRA entry

– visit @jordans.book.club‘s account tomorrow and repeat these steps

RULES

– Giveaway will end Dec 12th at midnight EST

– US Only

– not affiliated with Instagram

-must be 18 or have parents’ permission

-must be a public account so I can verify entries

#BrightWinterNightTour #BrightWinterNight #ashlinglindsay #allibrydon #amazonpublishing #storygramkids 

BANNED BOOKS WEEK SEPT 18-24

I have been following the Book Ban Battlegrounds covered by The American Library Association and the things I am seeing every week are SHOCKING.

Book challenges and book bans are increasing in libraries and schools all across the country. A majority of the books that have been targeted nationwide focus on sexual orientation, gender identity, race, and racicism–which are exactly the books that we need to be reading.

In a time of intense political polarization, library staff in every state are facing an unprecedented number of attempts to ban books. ALA’s Office for Intellectual Freedom tracked 729 challenges to library, school and university materials and services in 2021, resulting in more than 1,597 individual book challenges or removals. Most targeted books were by or about Black or LGBTQIA+ persons.

“This is a dangerous time for readers and the public servants who provide access to reading materials. Readers, particularly students, are losing access to critical information, and librarians and teachers are under attack for doing their jobs.”

– Deborah Caldwell-Stone, director of the ALA’s Office for Intellectual Freedom

Book bans harm communities. Students cannot access critical information to help them understand themselves and the world around them. Parents lose the opportunity to engage in teachable moments with their kids. And communities lose the opportunity to learn and build mutual understanding.

Take a stand. Read banned books. Talk about banned books.

Here are five steps you can take now to protect the freedom to read.

1. Follow news and social media in your community and state to keep apprised of organizations working to censor library or school materials.

2. Show up for library workers at school or library board meetings and speak as a library advocate and community stakeholder who supports a parent’s right to restrict reading materials for their own child but not for all

3. Help provide a safety net for library professionals as they defend intellectual freedom in their communities by giving to the LeRoy C. Merritt Humanitarian Fund.

4. Educate friends, neighbors, and family members about censorship and how it harms communities. Share information from Banned Books Week 2021.

5. Join the Unite Against Book Bans movement to learn what you can do to defend the freedom to read in your community.

Beautiful Quotes from The Seven Husbands of Evelyn Hugo

The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid is an amazing book, and I definitely agree that it is worth the hype. It is one of those important topic books that is a great conversation starter, though (*trigger warning*) it does cover many difficult topics.

The novel tells the story of the fictional Old Hollywood star Evelyn Hugo, who, at age 79, gives a final interview to an unknown journalist.

I found it to be quite sad, and there are many scenes that are tough to read. But the uncomfortable scenes are what make the writing so good–it makes you feel angry, and happy, and it makes you feel understood and seen, because they are relatable. It is also a book that makes readers think about big topics–*TW* sexual assault, rape, domestic abuse, homophobia, biphobia, alcoholism, and lgbtq+ rights, just to name a few.

I found so many powerful quotes, and highlighted so many lines in my book! Here are a few of my favorites: