The Employees by Olga Ravn

It’s hard to describe this work because it is so meta. It is a really little book that tackles a really big topic: Existence. Less than 135 pages encapsulates the human experience and asks what is it that really makes us alive.

“Is it a question of name? Could I be a human if you called me one?”

“I have never not been employed. I was made for work.” Literally, because employees on the Six Thousand Ship are basically robots that were created for work, humanoids coexisting beside real humans who have been in space for so long they have forgotten their humanity. Both seem to be adopting traits of the other: the humans are becoming more like the employees, and the employees are learning how to be human. And what happens when a humanoid begins feeling emotions? Crying? Showing desire, fear, and anger?

“I feel a similar longing to be human.”

“‘I hate interface,’ my humanoid co-worker said the other day.” But how can a humanoid have feelings that were never programmed into their being? And still, the employees are seen developing “strategies in dealing with emotional and relational challenges,” raising questions like can computers learn to program themselves?

“Am I human or humanoid?”

And for the crew, when the lines of reality blur, they begin to question everything. “I started to wonder who I actually am here. An employee, a human, a programmer, Cadet 17 of the Six Thousand Ship.”

“I don’t know if I’m human anymore. Am I human?”

This is an extremely relevant message for today’s world, where the lines between reality are beginning to blur with technology and social media.

“Tell me, did you plant this perception of me? Or did this image come up from inside me, if it’s own accord?”

In a larger sense, this work poses a metaquestion — is it ethical to play god over our creations? Where is the line drawn between human and inhuman? Can computers and robots learn to gain consciousness, will they eventually become human? And what happens if they can, or when they do? On the flip side, are humans becoming more robotic, and how will it impact our future?

“There’s humans, and then there’s humanoids. Those who were born and those who were made. Those who are going to die and those who aren’t.”

If you like Brave New World, 1984, Fahrenheit 451, and Anthem, you should read The Employees.

Thank you to Book*hug Press for sending me a free Advanced Reading Copy (ARC) of this title. All opinions are my own.

Reputation by Lex Croucher

Reputation is a Regency-era historical romantic comedy from a hilarious new British voice, Lex Croucher. This book was described as Bridgerton meets Gossip Girl with a dash of Jane Austen, so naturally, I had to pick it up. I had high expectations for this book, and I was honestly disappointed. I would describe this book as edgier than expected, but not necessarily well-written. The dedication says it all. “For Jane Austen. Sorry, Jane.” Because any true regency lady would be completely shocked by the sordid behavior in Reputation.

So don’t read this if you are a stickler for historical accuracy, because you won’t find it in this book. I appreciate what this book is trying to do for diversity, but there are some passages that are just plain bad and positively inaccurate for any century.

Continue reading “Reputation by Lex Croucher”

Analyzing The Old Man and the Sea

The first time I read The Old Man and the Sea was freshman year of high school. I recently won a free e-ARC from NetGalley, which is why I chose to revisit it. But I am always happy to do re-readings because I like comparing and contrasting my notes*. You can read a book one way, and have a completely different experience reading it again. There are so many different ways to read a book, and each reader has a different perspective and interpretation of it. You may even have multiple perspectives of a book you have read before, because you may be a different person than you were the first time you read it. This is true for me, because I was so young and have grown so much from the first time I read The Old Man and the Sea. Continue reading “Analyzing The Old Man and the Sea”

Litsy: an app for bibliophiles

litsy-logo

Todd Lawton and Jeff LeBlanc, the cofounders of Out of Print, have launched an app that brings together books and social media.

Out of Print, an established literary themed apparel company, brings consumers wearable works of literature, offering men, women and childrens clothing as well as accessories and gifts. Purchases made to Out of Print help to “promote literacy in underserved communities: each purchase helps to fund literacy programs and book donations to communities in need. It also supports the authors, publishers and artists who made these iconic works an integral part of our lives.”

“We see Litsy as an extension of Out of Print’s mission to get people talking about books and starting conversations,” Lawton said. Litsy exists as a sort of amalgam of the current giants of social media, combining elements of Instaram, Twitter and Goodreads into a one-stop-shop for everything book-ish. “What we wanted to do was take the best, the most fun aspects of other social media platforms and back it with an amazing book database.” Continue reading “Litsy: an app for bibliophiles”

A Pillow Book, Suzanne Buffam

Amazon.com: A Pillow Book (9780996982702): Buffam, Suzanne: Books

“Not a narrative. Not an essay. Not a shopping list. Not a song. Not a diary. Not an etiquette manual. Not a confession. Not a prayer. Not a secret letter sent through the silent Palace hallways before dawn.”

A Pillow Book, Suzanne Buffam’s 2016 book of poetry, is a great companion for anyone struggling with sleep. During the darkest hours of night and through the early hours of morning, at dusk or dawn, the poems in A Pillow Book possesses the hypnotizing ability to lull readers into a restful trance.  Continue reading “A Pillow Book, Suzanne Buffam”

The Star-Touched Queen

star-touched-queenRoshani Chokshi’s debut novel The Star-Touched Queen is an adventure, taking the reader through far-away otherworldly lands on a journey of self-reflection and self-discovery. Driven to enchanted bazaars and palaces of another time, racing on horseback across barren fields and wild jungles, the story engulfs the reader, allowing readers to become one with the character Mayavati as she bites into fairy fruits of sapphires and pearls and wears a crown of stars in her hair.

Told in horoscopes and embedded in myth, this story captivates and entrances the reader, lulling them with dreamlike images of golden honeycomb archives and gem-laden palace hallways, inviting readers into a world of fantasy, fairytale, lore and beauty. Spoken in riddles, the novel itself encourages deep thinking. Reminding us that “everything is a matter of interpretation” (112) the book promotes thoughtful decision making. Urging readers to practice “a different way of seeing” (143). But reader beware: The Star-Touched Queen bears virtue and valor, but also loses herself to impulsivity and falls victim to rumor. Like any other mortal, Maya must overcome her past in order to triumph in her future. Following her trials the reader learns from her mistakes, understanding as she does the importance of logic, reasoning, and fairness. Her lover Amar helps her in (re)discovering herself, gently encouraging her strengths and challenging her weaknesses, while simultaneously doing his best to protect her from her those who might try and ruin her.

Continue reading “The Star-Touched Queen”

Elizabeth is Missing by Emma Healey

978-0-345-80830-11-744x1024“It’s nine forty now, try not to eat it till twelve, right?”

Less than a page later:

“The plate has a note attached: Lunch for Maud to eat after 12 p.m. I take the Saran Wrap off.”

Two sentences later:

“When I’ve finished eating I wander back to the sitting room.”

With her love of toast and cans of peaches, one would think that the narrator of Elizabeth is Missing, eighty-two year old Maud, would be a relatable character – and although her dementia progresses with each page, this sentiment holds true. Continue reading “Elizabeth is Missing by Emma Healey”