Queen Charlotte: A Bridgerton Story

Not often do I say a show was better than the book. Sadly this is one of those times.

I wanted to like this book. I really did. I tried. I absolutely LOVED the show, but for me, the book fell flat. It felt like the book was written after the script, and mostly borrowed from that script without adding anything new to the story. There was no depth, there was no substance.

Also, I had a problem with the way this author compares skin-to-food, amongst using other racist stereotypes in her attempt to show the societal gap.

I tried to give this author the benefit of the doubt—I think what she was trying to do with such offensive phrasings was meant to highlight the fact that, historically, it was normalized to say/think amongst white people who didn’t realize/care what they were saying was offensive…buuuut, when writing HF in this day-and-age, you have to be more present. The woke storyline needs woke language to match it, and in this case, a good idea was ruined by old-fashioned storytelling methods.

This particular HF already attempts to rewrite the past, so I don’t understand why the language couldn’t also be rewritten. She didn’t need to write-in the constant stereotypes as a demonstration—readers already pick up on inequality as a theme without the MCs being SA’d, stereotyped, compared to food, having their skin rubbed off, and just blatantly insulted.

The book attempts to show British society in the 1700s accepting and uniting black people into society but unfortunately is done in such a tasteless and tone-deaf way that I almost stopped reading multiple times throughout the book. It was an ambitious idea that the author cheapened—but it worked really well-on screen (probably because there was a huge team of people who were able to catch and reframe the problematic areas of the story.)

Historically, racism was not cured in this era as the book suggests, but the suggestion is not my issue with the story. It’s historical fiction, and I would have enjoyed it if the POC MCs stories weren’t simply being used here to fetishize black people and erase problematic historical issues.

There is unfortunately a pattern of celebrating and protecting white women authors while not recognizing how their work promotes and reinforces racism. This is sadly one of those works.

I have seen historical fiction with POC characters done so much better and without the constant marginalization and stereotyping and honestly am disappointed in the author after reading the book. Sad.

In short, don’t read the book. Just watch the show.

⭐⭐

The Affair of the Mysterious Letter by Alexis Hall

“𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦 𝘱𝘰𝘪𝘯𝘵 𝘰𝘧 𝘥𝘰𝘪𝘯𝘨 𝘣𝘢𝘵𝘵𝘭𝘦 𝘢𝘨𝘢𝘪𝘯𝘴𝘵 𝘥𝘢𝘳𝘬 𝘧𝘰𝘳𝘤𝘦𝘴 𝘪𝘧 𝘺𝘰𝘶 𝘤𝘢𝘯’𝘵 𝘭𝘰𝘰𝘬 𝘺𝘰𝘶𝘳 𝘣𝘦𝘴𝘵 𝘸𝘩𝘪𝘭𝘦 𝘺𝘰𝘶’𝘳𝘦 𝘥𝘰𝘪𝘯𝘨 𝘪𝘵?” ― 𝘼𝙡𝙚𝙭𝙞𝙨 𝙃𝙖𝙡𝙡, 𝙏𝙝𝙚 𝘼𝙛𝙛𝙖𝙞𝙧 𝙤𝙛 𝙩𝙝𝙚 𝙈𝙮𝙨𝙩𝙚𝙧𝙞𝙤𝙪𝙨 𝙇𝙚𝙩𝙩𝙚𝙧

The Affair of the Mysterious Letter by Alexis Hall offers a spin on the classic detective story. This one reminded me of A Darker Shade of Magic meets Sherlock Holmes—olde world magic meets Victorian crime. Set in a fantastical world of magic and mystery, the book follows the adventures of Captain John Wyndham, a retired soldier turned private investigator, as he attempts to solve a case for his eccentric and brilliant friend, Shaharazad Haas.

The book is filled with twists and turns, memorable characters, and an amazing blend of science fiction and fantasy. The world-building was standout for me, and I also thoroughly enjoyed the witty narration from Captain Wyndham—and his prudent censorship of Haas’ colorful language—his adventures with the unpredictable Haas were always entertaining and kept me on my toes! Perfect for fans of historical fantasy!

⭐⭐⭐⭐

In the Lives of Puppets by TJ Klune

In the Lives of Puppets by T.J. Klune

This was my first May buddy read with my bff @the.queerreader 💚 We have been working our way through TJ Klune’s books and I have to say this has been my favorite one yet! All of his books have blown us away but THIS ONE. I loved it.

It is so meta, and it evokes so many big questions about the meeting of technology and humans. Can machines feel? Can they exhibit free-will? What defines love? Will robots one day surpass humans, at what point will technology overtake humans? And can technology ever really become conscious? Or will it always be seeking to be like us, only ever able to emulate humans-qualities? So many deep questions are stirred up with this book, and with the rise of AI, it feels more relevant than ever.

Not only is this book incredibly profound, but also emotionally vast. In true Klune style, it is emotional, thought-provoking, and brimming with love and life. He is easily becoming an auto-buy author for me and I highly recommend everyone read this book!

thank you to @librofm for providing this ALC! I loved it!!

⭐⭐⭐⭐⭐

Gwen and Art Are Not in Love by Lex Croucher

This is my favorite Lex Croucher book yet!

Gwen and Art Are Not In Love is a reimagining of Arthur and Guinevere —with a LGBTQ twist. This was described as Heartstopper meets A Knights Tale… so obviously I had to request the ARC!

Set in mythical Camelot, lord-to-be Arthur Delacey (descendant of the famous King Arthur) is betrothed to Princess Gwendoline. But they hate each other. Forced to spend the summer together before their impending nuptials, the pair

I loved the relationship dynamics in this book, and of course, was a huge fan of the historical fiction element. The medieval setting felt new to me because I haven’t read many stories like it, and I really enjoyed this as a retelling.

I loved Gwen’s growth throughout the story, her character arc was strong. I also LOVED Lady Leclaire, she was the perfect SFL and I love that she played a part in empowering Gwen. I also loved the period representation, exploring PCOS and how women’s period pains are often dismissed.

There is a let-loose birthday scene, sword-play, and tame YA romance

I also enjoyed the dual romances, and think this is one of my favorite love-square stories I’ve found! It was a very cute, sweet YA that I would highly recommend!

Must read if you like:
-historical fantasy
-forced proximity
-retellings
-characters who show growth

I was also super happy to find one of my favorite quotes by Mary Oliver featured (and reworked): “So what do you want to do with your one slightly dull but nonetheless precious life”.

Thank you to NetGalley for providing this ARC, I loved it!

⭐⭐⭐⭐⭐

Phaedra by Laura Shepperson

Phaedra by Laura Shepperson

Genre: Fantasy, Mythology, Myth Retold

Laura Shepperson’s debut novel Phaedra (released as The Heroines in UK/AUS) is another new release in Greek myth retellings. The story follows Phaedra, who married Theseus after he slayed the Minotaur. This work re-examines the story from Phaedras point of view, and turns the story on its head. Ultimately, Phaedra, who is misunderstood, demands justice for the suffering and helplessness that is felt by not only herself, but for abused women everywhere.

It’s a very complex story (and controversial, as far as myths go). I won’t spoil the ending here for anyone who doesn’t know how the myth goes, but if you are interested search for Euripides’ Hippolytus myth summary.

A stark contrast between gender roles is explored within this work, showing how different expectations and beliefs were between men and women during this time in history.

IMHO the world-building left a lot to be desired, and I found the multiple POVs to be confusing at times. The challenging subject matter makes it an emotionally difficult read, in itself. Not hard, but uncomfortable to read, at times. And who am I to judge? They say good literature evokes feelings and makes you think critically…which this story definitely does. I do think this story brings a fresh twist to an old myth, and I am still excited to add this new story of Phaedra to my mythology collection 💙

⭐️⭐️⭐️

TW: rape, abuse, suicide

Thank you to @alcovepress @penguinrandomhouse and @laurashepperson for gifting me this ARC💕

Of Love And Forge BOOK TOUR

Of Love And Forge by Carly Spade

Life was good in the Neosphere District. I’d made a name for myself as a renowned supernatural bounty hunter, holding the record for most harpies slayed. But the best part about living in the future? Avoiding the other Olympian gods. Banishing a guy from Olympus because he was “imperfect” tends to make one hold a grudge. Go figure. And no other god possessed the means to time travel. But I did. Thanks to the portal hopping device I forged.

Yup. Life. Was. Grand.

Until a bounty popped up on a certain love goddess. Aphrodite and I had been friends since we were wee gods. I’d be lying to myself if I never thought our “innocent” flirting banter were real on occasion—kidding myself if I said I never wanted things to go beyond platonic. Hence, why I recently kept my distance. For my own sanity. So, of course, I made the grave mistake of taking the godsdamned bounty.

*The goddess of love…*

Since reconciling with my son Eros, after centuries of bad mojo, I’d decided it was time to clean up my act. Ride the straight and narrow. My companion service, Sans Solo, became just the ticket I needed. And it allowed me to use my powers in disguise in modern California under the name Vena Milo.

With the aid of my best friends, and fellow goddesses, the Graces, we ran a legitimate business. All was right in the world.

Until the volcano god showed up. Hephaistos. Heph—a lifelong friend who never failed to confuse me mind, body, and soul. Especially when he showed up with a magical pair of handcuffs. His audacity pissed me off, but the mere sight of him, the smell of him, made my stomach flutter. That…I couldn’t deny. And when Heph’s plan goes to Tartarus things got even dicier and we became…the hunted.

Thank you so much to @turnthepagetours for teaming up with me for this great tour!

RELEASE DATE: February 28, 2023

GENRES: NA/Adult fantasy, steampunk, romance

Jane Austen Book Club – Sense & Sensibility Discussion Qs

What was your favorite moment of the book?

One of my favorite moments of Sense and Sensibility is in chapter 30 when Mrs. Jennings is checking on Marianne after her heartbreak, and offering olives. She says, “Well, poor thing! I won’t disturb her any longer, for she had better have her cry out at once and have done with.” And I just think that is the funniest and truest line ever. Cry it out, Marianne!

The working title of the book was Elinor and Marianne. Why is Sense and Sensibility a better title? In what ways do Elinore and Marianne embody these traits?

I would categorize Elinor and Marriane as dual heroines, and changing the title to S&S broadens the themes of the book. Typically Elinor is seen as the sensible one, and Marianne the sensitive one. But one of the interesting things about this book is how they do a switch, and by the end of the book Elinor is able to touch into her emotions in a way she wasn’t able to before, and Marianne makes much better choices, and shows more sense, which she was lacking at first. So this title change is important because it alludes to the sister’s transformations and dual nature, which I think everyone can relate to. We, all of us, have dual natures, a little bit of sense and a little bit of sensibility!

Margaret is often the overlooked younger sister in this novel–what do you think of her role in this novel?

Margaret Dashwood is mentioned sparsely throughout novel. Her character appears to be minor, existing as a particular supportive element for the her sisters. All her life depends on the events related to the members of her family, and she can not wait to live it by herself and feel all the patience of the independent existence.

What did you think about Willoughby’s apology? Did you feel sympathetic towards him?

I have very unsympathetic feelings toward Willoughby. He seems like a fuckboi and I just don’t like him.

What did you think of Lucy Steele? Did you trust her at first, or were you suspicious of her eagerness to befriend Elinor?

I personally do not trust Lucy Steele. There are moments where she seems to be intentionally petty, and I her keeping secret engagements makes her even less likeable.

Chapter 23 highlights her scheming character traits best, in my opinion. She is seen offering pointed information that Elinor hasn’t explicitly asked for, suggesting that Lucy is purposely choosing what to tell Elinor, and illuminates her pushing Elinor for information in an artful way.

In the end, Lucy gets what she wants—a wealthy husband who allows her to move up the social ladder through marriage. As the narrator says of her at the conclusion of the novel, she is a prime example of what someone can achieve when he or she is persistent, self-interested, and determined.

How do secrets drive Marianne and Elinor’s actions?

Secrets have a lot of power in the novel, both kept secrets and secrets revealed. 

CH 23 — “The necessity of concealing from her mother and Marianne, what had been entrusted in confidence to herself, though it obliged her to unceasing exertion, was no aggravation of Elinor’s distress.”

CH 29 — “Nor I,” answered Marianne with energy, “our situations then are alike. We have neither of us any thing to tell; you, because you do not communicate, and I, because I conceal nothing.”

Which sister seems to change the most over the course of the novel? Who would you say is the heroine of the story, or do they share the role equally? 

Elinor and Marianne’s characters both show great development and growth by the end of the book. Typically Elinor is seen as representing sense and Marianne as representing Sensibility throughout the novel, but as the novel goes on, the heroines are able to learn from each other and that drives their characters’ evolution. By the end, Elinor has learned to be more sensible, and Marianne has learned to be more sensical, and that is one of the greatest journeys: learning that it is okay to be a little bit of both.

If I had to choose, I would say Elinor is the heroine of the story, in the same way that Lizzy is the heroine of P&P. P&P presents a story where the heroines are lifted up from poverty to wealth, marry rich handsome gentlemen, and get to marry for love. S&S presents more of a story about choices–both sisters marry, but Elinor gets her man in the end because she makes more rational choices from point A to B. Marianne loses her first choice because of her desperate actions, poor decision-making, and lack of foresight. She marries a good man in the end, but unlike Elinor, she ends up with her second-choice after incredible suffering and heartbreak. It makes her a stronger character, but it is much less idealized than the HEA of P&P.

How would you compare/contrast P&P to S&S? How are they similar, and how are they different?

Ofc P&P is still my favorite, but it’s always interesting to go through her other works and read them closer. I have to say that I do see a lot of similarities between P&P/S&S—even the titles stand out as the most similar of her stories. However, while Pride and Prejudice leans more towards a fantasy HEA, Sense and Sensibility presents a much more realistic (albeit cynical) take on love.

The Duke’s Secret Cinderella

The Duke’s Secret Cinderella by Eva Devon

Adult Romance, Retelling

Charlotte Browne could just kick herself. What on earth possessed her to tell the Duke of Rockford that she is a lady? But something about the duke’s handsomeness and kind intelligence makes Charlotte blurt out the teeniest, tiniest falsehood. Now it’s too late to admit she’s just plain Charlotte of no particular importance—with cinder-stained hands, a wretched stepfather, and no prospects for marriage…

Rafe Dorchester, Duke of Rockford, has done what every self-respecting duke must do—avoid marriage at all costs. But the only thing stronger than the duke is his mother. When she lays down the highest ultimatum, he’ll need to find a duchess. Immediately. Only, when he calls on a potential bride, he instead finds the pert, fresh-faced Lady Charlotte. Rafe was warned to never mix the business of marriage with pleasure, but when it comes to her…oh, business would be a splendid pleasure.

One passionate, illicit kiss sends Charlotte fleeing, leaving only a delicate blue ribbon behind. For Rafe can never discover her secret, or it will ruin her beloved sister’s chance at marriage. But the duke knows that when you’ve found the one person that ignites you, body and soul, nothing can keep you away.

I love retellings and thought this was a great way to put a fresh and spicy twist on the classic. A must-read for lovers of rags-to-riches, historical fiction, and fairytale retellings!

Thank you to @turnthepagetours and @entangledpublishing for sending me a copy and for teaming up with me for this great tour!

PUBLISHER: Entangled – Amara

RELEASE DATE: February 21, 2023

Jane Austen Book Club – Pride & Prejudice Discussion Qs

Pride and Prejudice is my personal favorite—and, arguably the most favorited of all Jane Austen’s novels—so I thought I would start there. Pride & Prejudice is one of the most loved and widely adapted of Austen’s works. Since it was first published in 1813, Jane Austen’s Pride and Prejudice has sold over 20 million copies, and is now one of the most recognizable names in British literature. Though it was written over 200 years ago, it remains relevant. Not only is it a beautifully written love story with a happy ending, but it contains timeless insights about human nature that reminds readers that first impressions can often be wrong.

Discussion Questions to think about while reading Pride and Prejudice:

What are some themes in the story? How do they relate to the plot and characters?

What was your favorite moment of the book? What is your least favorite?

The working title of the book was First Impressions. Why is Pride and Prejudice a better title? In what ways are Darcy and Elizabeth guilty of both pride and prejudice and how does this drive the action of the story?

Marriage, as something to be aspired to, is portrayed quite differently in the novel than in existing marriages. What married couples do we see in the novel? How would you characterize these relationships?

Two central characters in Jane Austen’s works have her own first name. In Pride and Prejudice, Jane Bennet is described as “everything lovely.” In Emma, Jane Fairfax’s character is described as a “decorous, talented, beautiful woman.” What do you make of that?

Do you find the characters likable? Are the characters people you would want to meet?

Is Elizabeth Bennet consistent in her actions? Is she a fully developed character? How so?

How essential is the setting to the story? Could the story have taken place anywhere else? What makes this novel “timeless”?

My responses:

What are some themes in the story? How do they relate to the plot and characters?

Some of the themes in the book center around the idea of love versus the institution of marriage, the expectations placed on women, social class and status, as well as manners and integrity.

What was your favorite moment of the book? What is your least favorite?

One of my favorite moments of the book is when Lizzy realizes her love for Darcy. “I do, I do like him,” she replied, with tears in her eyes; “I love him.” And then she goes on to say how she was so wrong about him, and I just think it is such a beautiful moment of self-realization and romance.

Another favorite is Caroline’s quote on libraries: How much sooner one tires of any thing than of a book! — When I have a house of my own, I shall be miserable if I have not an excellent library.”

One of my least favorite moments is when Charlotte Lucas marries Mr. Collins. It just doesn’t sit right with me that she took Lizzy’s leftovers. Another low is everything about the slimy f-boy rake Mr. Wickham.

The working title of the book was First Impressions. Why is Pride and Prejudice a better title? In what ways are Darcy and Elizabeth guilty of both pride and prejudice and how does this drive the action of the story?

First Impressions was a great working title because it captures the essence of the story, but I think using the words Pride and Prejudice helps to narrow it down even more. Lizzy and Darcy’s first impressions of each other were wrong because of their pride and their prejudice, and they are given the space to work through their misunderstandings and reevaluate their first impressions. There are many times throughout the book that various characters are very judgy in general, and I think that also plays into pride and prejudices in a way. Also, both Lizzy and Darcy show signs of being prideful and prejudiced at various times throughout the book, though traditionally Darcy is aligned with Pride and Lizzy is meant to be Prejudice.

Marriage, as something to be aspired to, is portrayed quite differently in the novel than in existing marriages. What married couples do we see in the novel? How would you characterize these relationships?

I would categorize most of the married relationships in the novel as unhappy, or lacking in some way. My personal favorite couple is Mr. and Mrs. Bennet, I just think their toxic dynamic so so hilarious. I think this is Austen’s way of poking fun at the institution of marriage. She herself remained unmarried while all or most of her main characters get HEAs. This seems a bit satirical and ironic to me, that a woman who wrote about characters who strive toward the ideal of marriage did not actually practice what she preached. 

It also has always left me wondering about her own relationships. Some scholars have speculated about Jane’s love life, and some theories suggest she was jilted by the love of her life, Tom Lefoy. But there is no concrete evidence and it is just a fan theory that I frequently wonder about.

Two central characters in Jane Austen’s works have her own first name. In Pride and Prejudice, Jane Bennet is described as “everything lovely.” In Emma, Jane Fairfax’s character is described as a “decorous, talented, beautiful woman.” What do you make of that?

I find it hilarious that Jane had a habit of naming her most talented and beautiful characters after herself! 

Do you find the characters likable? Are the characters people you would want to meet?

Some of the characters I find very likeable, and I would still like to meet some of the unlikeable characters just because they bring so much drama to a room!

Is Elizabeth Bennet consistent in her actions? Is she a fully developed character? How so?

I would categorize Elizabeth Bennet as a bit inconsistent, actually. I think she is written with flaws, as are most of the characters, and given room to grow, which is important to her character arc. By the end of the novel she has had time to change her mind on certain things, and the fact that she is a character who can admit her mistakes and learn from them makes her a strong character.

How essential is the setting to the story? Could the story have taken place anywhere else? What makes this novel “timeless”?

Though it was written over 200 years ago, Pride and Prejudice remains relevant today. Not only is it a beautifully written love story with a happy ending, but it contains timeless insights about human nature that reminds readers that first impressions can often be wrong. There have been countless adaptations of this story that continue to borrow the enemy-to-lovers trope, because it is an age-old idea that is universal. 

Human nature hasn’t changed much in 200 years, and we are all just Standing On The Shoulders Of Giants and recycling the same Seven Basic Plots. Reinterpreting their ideas and making them modern isn’t a new idea. Literature has always been intertextual – writers have forever been influenced by other writers. We are all only standing on the shoulders of giants, and the fact that Jane Austen’s books are still discussed, read, reworked and adapted 200 years later just proves the timelessness of her writing.

Rare Birds Book Tour

Twelve-year-old Graham Dodds is no stranger to hospital waiting rooms. Sometimes, he feels like his entire life is one big waiting room. Waiting for the next doctor to tell them what’s wrong with his mom. Waiting to find out what city they’re moving to next. Waiting to see if they will finally get their miracle—a heart transplant to save his mom’s life. 

Now Graham is stuck in Florida for the summer, waiting once again. But when he meets a girl named Lou at the hospital, he finds a friend who needs a distraction as much as he does. She tells him about a contest to find the endangered Snail Kite, which resides in the local gator-filled swamps. Together they embark on an adventure, searching for the rare bird . . . and along the way, Graham might just find something else—himself.

Thank you to @unionsqandco for sending me a copy of the book and teaming up with me for a great giveaway! Check out how to enter below:

GIVEAWAY: Enter to win a copy of Rare Birds!

– follow me @rosesandreviews, @unionsqandco and @storygramkids

– tag a friend you think will be interested

For EXTRA entry

– visit @bookmama85’s account tomorrow and repeat these steps

RULES

– Giveaway will end Feb 6th at midnight EST

– US Only

– not affiliated with Instagram

-must be 18 or have parents permission

-must be a public account so I can verify entries

#RarebirdsTour #RareBirds #JeffMiller #unionsqandco #storygramkids

Pod by Laline Paull

Pod by Laline Paull

Release Date: February 7

Laline Paull returns with an immersive new novel about the ocean world as told through the eyes of two different dolphin pods: spinner dolphins, and bottlenose dolphins.

Ea is more than just a spinner dolphin. Ea is different. In this story, she has an identity. She has an acoustic disability that makes her unable to spin like the other dolphins in her pod, and she is ultimately on a journey of self-understanding and acceptance. As her inner struggles become more complex, she must also grapple with the changing of her world when she is uprooted from everything and everyone she knows. When catastrophe befalls her family and Ea knows she is partly to blame, she decides to make the ultimate sacrifice and leave the pod.

The ocean is a place of peace and calm. Until ocean demons and pollution threaten the oceans’ way of thriving. As Ea ventures into the vast, she finds danger lurking everywhere. The ocean itself seems to be changing; creatures are mutating, demonic noises pierce the depths, and entire species of fish disappear into the sky above.

I would describe it as scientific fiction, but I wouldn’t exactly call it sci-fi… I would call it cli-fi (climate fiction) because, though it is the story of dolphins, it is also the story of the whole ocean, and how the careless and cruel actions of humans put entire ecosystems at risk.

A diverse cast of sea creatures from dolphins and whales to pufferfish create an incredibly unique POV. Writing the main characters as dolphins and other marine animals draws comparisons between animals and humans, suggesting that we’re all the same— we, all of us are living beings.

This is a musical story, full of sound and space. Because dolphins use sonar, sound and music are strong themes in this book. Beautiful imagery and stunning ocean settings make this a perfect blend of reality and fiction. I loved how musical prose is woven so intricately with scientific fact, and I love this author because she has an amazing way of educating readers about the ocean while entertaining them at the same time.

TW: rape, sexual assault, death

Thank you so much to Pegasus Books for sending me an early copy to read and review. I love Laline Paull, and this is a new favorite of mine!

2023: The Year of Jane Austen

I talked about my attempt to finish reading all of Jane Austen’s books a bit in my last post, and how 2023 is going to be my new Year of Jane. This year, I plan to read all of Jane Austens works, including rereading my old favorites, as well as some of her lesser-known and unfinished works. There are roughly enough to fill in a whole year if I pick one book a month. So here is a rough sketch of my yearly plan, though it may shift a bit here is my generalized reading schedule. And if you would like to join along for discussions and group reads, come join the Jane Austen Book Club today!

January: Pride and Prejudice

February: Sense and Sensibility

March: Sandition *season 3 of Sanditon premieres March 19

April: Emma

May: Mansfield Park

June: Love and Friendship

July: Lady Susan

August: Persuasion

September: The Watsons

October: Northanger Abbey and The Mysteries of Udolpho

November: Poems

December: Fanny Burney’s CamillaCecelia and Evelina, or Maria Edgeworth’s Belinda (all of which were some of Jane Austen’s favorite books)

Join my Jane Austen Book Club HERE!